According to Bharat Muni in Natya Shastra, Ghan Vadya is also

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  1. string
  2. wind
  3. solid
  4. percussion

Answer (Detailed Solution Below)

Option 3 : solid
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The correct answer is solid.

Key Points

  • According to Bharat Muni's Natya Shastra, musical instruments are categorized into four types: Tata Vadya (string), Sushira Vadya (wind), Avanaddha Vadya (percussion), and Ghan Vadya (solid).
  • Ghan Vadya refers to solid instruments which produce sound by being struck or shaken, without the need for stretched membranes or strings.
  • Examples of Ghan Vadya include manjira (cymbals), ghungroo (anklets with bells), and jhanjh (large cymbals).
  • These instruments are primarily used in traditional Indian music to enhance rhythmic patterns and are integral to folk and classical performances.
  • Natya Shastra, authored by Bharat Muni, is one of the oldest texts on performing arts, providing foundational insights into music, dance, and drama in ancient India.

Additional Information

  • Natya Shastra:
    • Written by Bharat Muni, it is an ancient Sanskrit treatise on performing arts, covering music, dance, drama, and aesthetics.
    • The text is believed to have been composed between 200 BCE and 200 CE.
    • It provides a detailed classification of musical instruments and their roles in performances.
  • Classification of Musical Instruments:
    • Tata Vadya: String instruments like veena and sitar, producing sound through vibration of strings.
    • Sushira Vadya: Wind instruments like flute and shehnai, producing sound by blowing air.
    • Avanaddha Vadya: Percussion instruments like tabla and mridangam, producing sound through stretched membranes.
    • Ghan Vadya: Solid instruments like bells, cymbals, and gongs, producing sound when struck or shaken.
  • Manjira:
    • A traditional Indian percussion instrument made of brass or bronze.
    • It is played by striking two cymbals together to produce rhythmic sounds.
  • Ghungroo:
    • Small metallic bells strung together, often worn by dancers around their ankles.
    • Used to accentuate the rhythmic beats during performances.
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